Tuesday 28 July 2020
Windsor, our trusty Toyota, is driven away for his first set of repair jobs this week and, as a result, we find ourselves stationary for a few days. In many ways, it feels like a flashback to early Lockdown. We paint the bathroom. We redesign the conservatory. We auction old furniture on Ebay; our first ‘non-cot’ bed becomes ‘my own big bed‘ to another child; the kitchen table is signed up for a very glamorous new life at a Night Club in town! There is one difference however, I finally put up a music stand and tootle some oboe notes …
Usually, I’d battle through the parts for my nearest concert. But, as Covid-19 has ruled out all rehearsals since March, I have to dig into my older folders and my past repertoire. And I find The Bach Double Concerto for Oboe and Violin. Oh what memories! This is the first full concerto I ever performed in public and it took place 6 short weeks after Small Boy was born!
If you are an expectant, first-time, musical mum, do not try this! It was utter madness. But Small Boy was not my first child, he was my third. Additionally, in over 3 decades of living at the time, no-one had ever invited me to play a concerto before. It was just too good an opportunity to miss.
I was in the very early, unannounced stages of pregnancy when the unsuspecting conductor offered me the job. I agreed enthusiastically, my outward face a picture of smiles and assurance. On the inside, my mind a whirlwind of rapid, mental arithmetic, trying to fathom whether or not I’d be tootling my part in the concert hall or from the Delivery Suite itself! Of course I worried about being too tired. Of course I questioned my sanity. But I recall being cheerfully egged on by my mum,
““There’s no avoiding tired; the choice is tired and happy or tired and miserable!“
And so I did it. I worked like a demon right up to the day my waters broke, juggling my job, two toddlers and Bach with, at times grim, determination. I allowed myself 2 weeks off, when we first brought Small Boy home and then, as he marked his 15th day in this world, I resumed daily practice. The moment ex-hub crossed the threshold from work, I would hand over care of three under 5s and vanish to the back room for an hour of playing.
It didn’t matter that the violinist was a precocious 17 year old virtuoso. It didn’t matter that I couldn’t fit into any concert clothes, (my lovely mum bought me a roomy soloist-style sparkly top). It didn’t matter that I was completely shattered. I powered through with adrenaline and joy, reaping the benefits of all the pre-birth practice regime. The performance was terrific. It also led to tons of other gigs and concerto offers; my golden era of oboe playing.
Today, as I stumble thought the notes, I realise how much my technique and stamina have deteriorated over the last 15 years, particularly since moving North. Nonetheless, I find myself wondering,
‘Do I have another concerto in me?’
Hey, I’m the woman who performed her first concerto less than 2 months after giving birth so, to this or indeed other new challenges, … never say never…